︎
Mark

HONEY FINGERS

Info                      Instagram



Latest news HERE!
Website being updated.


Bookshop


Creative Studio
︎RMIT Zines (2024)
︎DESA Residency (2024)
︎HF10: 10 Fingers, 10 Years (2023)
︎Apartamento ‘Tuber, or not Tuber’ (2023)
︎’Café Feelings: Labne’ Public Art Park (2023)
︎Wildwood Beekeeping Workshop (2023)
︎’Good Natured’ Australian Design Cntr. (2023)
︎Vivid ‘Natural Wonder’ (2023)
︎’Hive Hands’ (2022)
︎Craft Contemporary (2022)
︎Soft Vibrations (2022)
︎Playground Love, Caves (2022)
︎Mud Talks (2021)
︎Reunion, The Art of Beekeeping (2020-2021)
︎ Poetry zine launch (2020)
︎“Beehives” zine launch (2020)
︎Honey Fingers x Hattie Molloy (2020)
︎Plants / Mulch (2019)
︎Bee Bread / Ferments (2018)
︎Honeycomb Vessel (2017)
︎There is Room at the Table (2017)
︎Postcards / There Are No Words (2017)
︎Swarm Trap, Nishi Hotel (2016)
︎Pane + Miele (2016)
︎Bread + Honey (2015)

Short Films
︎Soft Vibrations (2022)
︎Hive Hands (2022)
︎What it is to be broken, what it is to mend (2021)
︎Reunion (2021)
Featured in: 
︎Upsodown (2023)

Podcasts
︎ABC Radio National: Earshot
︎RRR: Uncommon Sense (2024)
︎RRR: Uncommon Sense (2020)
︎Cleopatra’s Bling Podcast
︎Make Good Podcast

Published Essays
︎Gestalten Books: Urban Farmers
︎Assemble Papers (Swarm Traps)
︎Assemble Papers (Honey Ethics)
︎Dining in Place
︎Bee Project
︎Hotel Hotel: Smoking the Bees
 ︎House Wear 2
︎Lindsay Magazine
︎Matters Journal
︎Table Magazine
︎The Plant Hunter
︎Blog: A Tribute to Anton Janša

Press
︎Gardening Australia
︎The Age
︎Verve Zine
︎New York Times on Turkey
 ︎Food Tank
︎Gourmet Traveller
︎Green Magazine (Swarm Trap)
︎Green Magazine (Beehives zine)
︎The Plant Hunter
Mark







PLANTS / MULCH



Botanically-themed poetry readings from a poetry zine called PLANTS as part of the Potter Museum of Art MULCH event.



MULCH was an afternoon of live art and sonic performance in the University of Melbourne System Garden – an oasis in the heart of the Parkville campus. Performance chemist and curator Lichen Kelp invited an eclectic range of artists to present aseries of site-specific works in conversation with the plants and local ecologies of the Garden. Chemical reactions, improvised movement, experimental electronics, beekeeping, poetry and perfumery all combined in a dynamic program of esoteric and scientific investigation.

• Honey Fingers acknowledges First Nations Peoples as the first inhabitants of the nation and the traditional custodians of the lands where we live, learn and keep bees