Mark

HONEY FINGERS

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Bookshop


Creative Studio
︎RMIT Zines (2024)
︎DESA Residency (2024)
︎HF10: 10 Fingers, 10 Years (2023)
︎Apartamento ‘Tuber, or not Tuber’ (2023)

︎’Café Feelings: Labne’ Public Art Park (2023)
︎Wildwood Beekeeping Workshop (2023)
︎’Good Natured’ Australian Design Cntr. (2023)
︎Vivid ‘Natural Wonder’ (2023)
︎’Hive Hands’ (2022)
︎Craft Contemporary (2022)
︎Soft Vibrations (2022)
︎Playground Love, Caves (2022)
︎Mud Talks (2021)
︎Reunion, The Art of Beekeeping (2020-2021)
︎ Poetry zine launch (2020)
︎“Beehives” zine launch (2020)
︎Honey Fingers x Hattie Molloy (2020)
︎Plants / Mulch (2019)
︎Bee Bread / Ferments (2018)
︎Honeycomb Vessel (2017)
︎There is Room at the Table (2017)
︎Postcards / There Are No Words (2017)
︎Swarm Trap, Nishi Hotel (2016)
︎Pane + Miele (2016)
︎Bread + Honey (2015)


Short Films
︎Soft Vibrations (2022)
︎Hive Hands (2022)
︎What it is to be broken, what it is to mend (2021)
︎Reunion (2021)
Featured in: 
︎Upsodown (2023)

Podcasts
︎ABC Radio National: Earshot
︎RRR: Uncommon Sense (2024)
︎RRR: Uncommon Sense (2020)
︎Cleopatra’s Bling Podcast
︎Make Good Podcast

Published Essays
︎Gestalten Books: Urban Farmers
︎Assemble Papers (Swarm Traps)
︎Assemble Papers (Honey Ethics)
︎Dining in Place
︎Bee Project
︎Hotel Hotel: Smoking the Bees
︎House Wear 2
︎Lindsay Magazine
︎Matters Journal
︎Table Magazine
︎The Plant Hunter
︎Blog: A Tribute to Anton Janša

Press
︎Gardening Australia
︎The Age
︎Verve Zine
︎New York Times on Turkey
︎Food Tank
︎Gourmet Traveller
︎Green Magazine (Swarm Trap)
︎Green Magazine (Beehives zine)
︎The Plant Hunter


Mark







HATTIE MOLLOY X HONEY FINGERS



Botanical Landscape + Honeycomb Vessels at @MPavilionJanuary 2020.





A public installation and observation hive exhibit, created by florist Hattie Molloy and beekeeper Nic Dowse of Honey Fingers.

The work encourages the audience to reflect on the current climate crisis in Australia, and celebrates the symbiotic relationship between flowers and honeybees.

This installation was commissioned by MPavilion.

Photos: Phillip Huynh.


• Honey Fingers acknowledges First Nations Peoples as the first inhabitants of the nation and the traditional custodians of the lands where we live, learn and keep bees